So they had to start from scratch with the simplest of tasks, like rendering geometry on the screen, then learn as they went along. There wasn’t even a dev kit for the system, just a PCI board that you’d insert into your work PC. They then had to hack away at the geometry until it would run smoothly on the system, with the final model coming in at 532 flat-shaded polygons.ĭevelopment on the game started in the very early days of the PS1. The duo batted ideas back and forth lightning-quick, experimenting with the character’s shape, posture, and expressions until they hit upon a sort of upside-down triangle for the torso. Rubin had picked up a book of Australian marsupials and was captivated by one in particular, so the artists were given the task of creating… Willy the Wombat. They were given free reign to create the world for the new platform game. So it brought in artists Joe Pearson and Charles Zembillas, both of whom had been working in the animation industry for companies like Filmation and Don Bluth Productions.
That offered some challenges for character design, as emotion and action would have to be communicated without facial expressions for the most part.Īlthough Naughty Dog had in-house artists, it smartly realized that creating a mascot character was a specialized and delicate task. The initial gameplay nickname that Gavin gave the concept was "Sonic’s Ass," because instead of scrolling horizontally, levels would proceed into the screen, with the main character seen mainly from behind.
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